ONE DOLLAR OF ONE HUNDRED
CHERYL GEORGETTE ARENTDYE, GLITTER, INK, COLLAGE
Here is the Dollar I designed for an art show this July 14th.
Opens: July 14th 6-9pm
Closes: August 9th
LittleField
622 Degraw Street
New York, NY 11217
Closes: August 9th
LittleField
622 Degraw Street
New York, NY 11217
The title of the exhibition is “One Hundred Dollars”. All the artwork for this show utilizes the U.S. ONE DOLLAR BILL as a canvas. There will be one hundred artists in the show. All the artwork is available for one hundred dollars each.
Money is simply a piece of paper, Art is simply a form of communication, yet both carry incredible power. Concepts permeate art and money. The perception of value or authority. The ancient codes used and doctrines communicated. Layered and surreal images that appear with beautifully crafted portraits, scenes, symbols, forms and typography from generations past. Precious objects we exchange and collect. One Hundred Artists, One Hundred Dollar Bills, every dollar bill Art Piece is for sale for One Hundred Dollars.
Opens: July 14th 6-9pm Closes: August 9thLittleField622 Degraw StreetNew York, NY 11217 Reuben Negron, Kristen Schiele, Paul Gagner, Taylor McKimens, Joel Dugan, Tricia Keightley, Jordin Isip, Julie E. Brady, Daniel Maidman, Jason Gandy, Michael Kagan, Eric White, Joe Heaps Nelson, Maria Kozak, Rachel Schmidhofer, Kyle McCoy, Joe Sorren, Mauricio Salmon, Lola Serrano, Ian Brauner, Hazel Lee Santino, Rob Leecock, Felicia Forte, Aliene De Souza Howell, Matt Morris, Hyunjin Alex Park, Benjamin Martins, Sarah Stenseng, Jean Pierre Roy, Rachel Pontious, Matt Leines, Richard Saja, Thomas Martin, Carmen Von K, Chris Leib, Stefi Sakata, Reiner Hansen, Brian Novatny, Jonny Ruzzo, Victor Kerlow, Steve Ellis, Jsun Laliberte, Jennifer Grimyser, Cheryl Arent, Shirley Cruz, Nelson Loskamp, Vic Selbach, Christian Johnson, Nghia Nguyen, Marcia Shapiro, Don D’Aries, Sahar Ghaheri, Gabe Albin, Brian Rattiner, Rawan Rihani, Nathan Stapley, Jeff Faerber, Natalia Zubko, Matt Rota, Maureen Drennan, Emily Noelle Lambert, Rebecca Litt, Ryan Scully, Lauren Hickman, Justin Baldwin, Brandon Sines, Eric Trosko, Paul D’Agostino, Mark Sengbusch, Paul Brainard, Alexandra Evans, Daniel Davidson, Lee Misenheimer, Casey Farnum, Nina Ljeti, Ms. Dingo, Taylor Bowen, Fedele Spadafora, Hannah Lee, Rachel Levit, Eric Pearson, Eric Araujo, Jeff Sims, Christopher Casamassima, Billy Norrby, Ariana Barat, Megan Berk, Patrick Meehan, Reid Bingham, Maya Brym, Paul Del Bosque, Jess Rees, Sergio Verdeza, Kenneth Pietrobono, John Felix Arnold III, Patrick Shoemaker, Josh Steinbauer, Jessica Lynn, Chaz Faxton, Tina Marie Alleva, Alessandro Echevarria, Kiki Valdes, Sara Mcbeen, Tim Jaeger, Andrew Smenos, Sergio Barrale.
FACEBOOK EVENT PAGE
PHOTOGRAPHIC DREAMS
THE STUDIO AT THE DARKROOM
@ THE LOOM STUDIOS
BEHIND THE SCENES OF THE FIRST PROMO SHOOT
ROCKAWAY BEACH BABES
Digital Photographer: Janira Martinez
Analog Photographer: Cheryl Arent
Models: Kelley Carollo, Vanessa Gill, Chrissy Kovacsics and Brandon Sines
Stylist and MUA: Vanessa Gill
Photo Assistants: Scott Dennis and Josh Kaercher
FOLLOW THE STUDIO AT THE DARKROOM
THE WONDERFUL HOST
DON
!THX A MILLION!
ALDOUS HUXLEY INTERVIEW
First of all, can you detail for us, what life in this Brave New World would you fear so much, or what life might be like?
HUXLEY: Well, to start with, I think this kind of dictatorship of the future, I think will be very unlike the dictatorships which we've been familiar with in the immediate past. I mean, take another book prophesying the future, which was a very remarkable book, George Orwell's "1984."
Well, this book was written at the height of the Stalinist regime, and just after the Hitler regime, and there he foresaw a dictatorship using entirely the methods of terror, the methods of physical violence. Now, I think what is going to happen in the future is that dictators will find, as the old saying goes, that you can do everything with bayonets except sit on them!
WALLACE: (LAUGHS)
HUXLEY: But, if you want to preserve your power indefinitely, you have to get the consent of the ruled, and this they will do partly by drugs as I foresaw in "Brave New World," partly by these new techniques of propaganda.
They will do it by bypassing the sort of rational side of man and appealing to his subconscious and his deeper emotions, and his physiology even, and so, making him actually love his slavery.
I mean, I think, this is the danger that actually people may be, in some ways, happy under the new regime, but that they will be happy in situations where they oughtn't to be happy.
WALLACE: Well, let me ask you this. You're talking about a world that could take place within the confines of a totalitarian state. Let's become more immediate, more urgent about it. We believe, anyway, that we live in democracy here in the United States. Do you believe that this Brave New World that you talk about, er...could, let's say in the next quarter century, the next century, could come here to our shores?
HUXLEY: I think it could. I mean, er...that's why I feel it so extremely important here and now, to start thinking about these problems. Not to let ourselves be taken by surprise by the...the new advances in technology. I mean the...for example, in the regard to the use of the...of the drugs.
We know, there is enough evidence now for us to be able, on the basis of this evidence and using certain amount of creative imagination, to foresee the kind of uses which could be made by people of bad will with these things and to attempt to forestall this, and in the same way,
I think with these other methods of propaganda we can foresee and we can do a good deal to forestall. I mean, after all, the price of freedom is eternal vigilance.
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